It’s been quite some time since anyone saw or heard from Daniel Day-Lewis. Following his statement in 2017 declaring he would no longer pursue acting, just before the release of Phantom Thread, Day-Lewis quietly faded from view. However, in his absence, his legend has only grown.
The Legend of His Acting Method
Primarily, this reputation centers on his favored style of working. Being an actor who famously disappears into the roles he plays – for example, while filming the Lincoln biopic, reportedly asked the director call him “Mr. President” throughout the shoot – the world has grown increasingly obsessed with his process. Did he really send messages to co-star Sally Field as Abraham Lincoln? Did he only eat game he hunted during The Last of the Mohicans? And did he demand receiving food via spoon for My Left Foot?
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Now, Day-Lewis has returned to public attention, somewhat reluctantly, for his new film Anemone. And he is using this to vocalise his frustration regarding how the Method technique is viewed. “I am somewhat annoyed these days when I hear various individuals talking carelessly and saying things like ‘fully embraced the Method’, which seems is meant to imply that someone is acting insane in a drastic way,” he stated to the New York Times. “People often concentrate on superficial aspects of acting, and those details always seem to involve some sort of self-punishment or a situation that causes a severe discomfort or psychological strain. But of course, in the life of an actor, it must principally be about the internal work.”
An Industry of Imitators
Frankly, it appears like the actor has emerged from his retreat only to discover shocked by the world that has developed mirroring his methods. When you are regarded as one of the greatest performers in history, and your process involves headbutting a dummy to the point of injury (in Gangs of New York) or enduring two days in isolation deprived of sustenance (for In the Name of the Father), then it stands to reason that fellow performers will want to emulate that example by trying to mimic your hero.
Essentially, we exist in a landscape full of imperfect imitators of Day-Lewis who strive only to show the world the sheer amount of effort they invest in a character. At the shallow end of this trend we have people like Lady Gaga, who was determined to earn an Academy Award for House of Gucci that she spent the entire promotion trying to convince everyone that she became functionally Italian over 18 months as preparation.
Additionally, there is Jared Leto, who decided to immerse himself into the role of the Joker (in Suicide Squad) by sending “horrifying” presents to his castmates. These items, according to various accounts, range from deceased animals to intimate objects and personal hygiene products, although the actor refuted those worst excesses. And then, of course, we have Jim Carrey, who went so deep as Andy Kaufman during Man on the Moon that filmmakers literally managed to get a full-length documentary out of B-roll of him causing difficulties to the utmost for his colleagues.
Contemporary Followers of the Method
The main practitioner of the Method at the moment would appear to be Jeremy Strong (formerly an assistant to Day-Lewis), whose approach while filming Succession was so laboriously intensive that it formed the subject of a critical New Yorker profile, including statements from individuals who were worried for his behaviour (“It’s the cost to himself concerns me,” remarked Brian Cox) or extremely irritated by it (“I remember [him] making everyone else to react with exasperation,” stated an unnamed co-star).
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There are numerous additional cases. Andrew Garfield went celibate over half a year for Silence. Leonardo DiCaprio rested inside an animal carcass for The Revenant. There’s a fighting chance that Austin Butler still speaks in the style of Elvis, years following that film came out. All of this, to some extent, is meant to invoke the dedication in which Day-Lewis takes his craft.
An Admirable But Uphill Fight
And, while his fightback against method detractors could be commendable, a brief promotional cycle might not be enough to change anyone’s mind, not to mention their practices. Maybe if he wants to make audiences recall what method acting is, or to demonstrate what it can achieve, then the optimal strategy for Day-Lewis is to just begin producing additional movies. Surely everyone would support that idea.